02-16-2021, 11:10 AM
LAMB: Innocence. Gentleness. Patience. Humility. Symbol of Christ in His sacrificial role. Many scriptural passages give authority for this symbolism. One reference is John 1:29: "The next day, John saw Jesus coming to him, and he saith: Behold the Lamb of God, behold Him who taketh away the sin of the world." The Holy Lamb is often depicted with a nimbus, standing upon a small hill from which four streams of water flow [Revelation 14:1]. The hill represents the Church of Christ, the mountain of God's house. The streams represent the four Holy Gospels, the four rivers of Paradise, ever flowing and refreshing the pastures of the Church on earth. In pictures where Christ is shown as the rescuing shepherd, the lamb is also used to symbolize the sinner. This subject, usually called the Good Shepherd, is very frequent in Early Christian art, but was seldom used in the Renaissance. During the Renaissance the lamb was often depicted in representations of the Holy Family with the Infant St. John. Here, the lamb alludes to St. John's mission as the forerunner of Christ, and his recognition of Christ as the Lamb of God at the time of His Baptism. This meaning is indicated by the portrayal of St. John the Baptist pointing to a lamb which he usually holds in his left hand.
The lamb (Latin, agnus) is given as an attribute to St. Agnes, who was Martyred because she declared herself to be the bride of Christ and refused to marry. It is also found as an attribute of St. Clement, who was guided by a lamb to the spot where he found water.
LARK: The lark, because it flies high and sings only when in flight toward Heaven, has been taken as the symbol of the humility of the priesthood.
LEOPARD: The leopard is a symbol of sin, cruelty, the Devil, and the Antichrist. It sometimes appears in representations of the Adoration of the Magi to show that the Incarnation of Christ was necessary for redemption from sin.
LION: Strength. Our Lord. Courage. Fortitude. Kingliness. The lion is used in Renaissance art with various meanings, depending upon the circumstances. In general, when it is used it is emblematic of strength, majesty, courage, and fortitude. Because it once was believed that young lions are born dead, but come to life three days after birth when breathed upon by their sire, the lion has become associated with the Resurrection, and this is why it is a symbol of Christ, the Lord of Life.
The lion is one of the four animals that appear in the prophecy of Ezechiiel. He is the symbol of the Evangelist Mark because St. Mark in his Gospel dwells most fully upon the Resurrection of Christ and proclaims with great emphasis the royal dignity of Christ. The winged lion is invariably the attribute of St. Mark, and appears also as the emblem of Venice, because this city was under the protection of St. Mark. St. Jerome is also closely identified with the lion. According to tradition the Saint removed a painful thorn from the paw of a lion, who thereupon became his close and faithful friend. It was a medieval belief that the lion slept with its eyes open. For this reason, he also became a symbol of watchfulness. In rarer instances the lion, because of its pride and fierceness, was used as symbol of the Prince of Darkness, this interpretation being suported by Psalm 90:13: "Thou shalt walk upon the asp and the basilisk: and thou shalt trample under foot the lion and the dragon." This passage is interpreted as Christ triumphing over the Devil. In addition, lions appear as attributes of St. Mary of Egypt, St. Euphemia, St. Onuphrius, and St. Paul the Hermit.
OWL: The owl, since it hides in darkness and fears the light, has come to symbolize Satan, the Prince of Darkness. As Satan deceives humanity, so the owl is said to trick other birds, causing them to fall into the snares set by hunters. The owl also symbolizes solitude and, in this sense, appears in scenes of hermits at prayer. Its most ancient-thought attribute, however, is that of wisdom, and with this meaning, it is sometimes shown with St. Jerome. In another sense, the owl is an attribute of Christ, Who sacrificed Himself to save mankind, "To enlighten them that sit in darkness, and in the shadow of death: . . ." [Luke 1:79]. This explains the occasional presence of the owl in scenes of the Crucifixion.
OX: Patience. Strength. Service. Endurance. Sacrifice. The ox, a sacrificial animal of the Jews, was often used in Renaissance painting to represent the Jewish nation. It is also a symbol of patience and strength and almost invariably, the ox and the ass appear together in paintings of the Nativity. In the writings of some of the early Christian fathers, the ox is accepted as a symbol of Christ, the True Sacrifice. This symbol is similarly used to represent all who patiently bear their yoke while laboring in silence for the good of others. The winged ox is the attribute of St. Luke because of his emphasis upon the sacrificial aspects of our Lord's atonement as well as upon the Divine priesthood.
PARTRIDGE: In a good sense, the partridge is used as a symbol of the Church and of truth; but it is ordinarily symbolic of deceit and theft, and in a more general sense, of the Devil: "As the partridge hath hatched eggs which she did not lay: so is he that hath gathered riches, and not by right: in the midst of his days he shall leave them, and in his latter end he shall be a fool." [Jeremiah 17:11]
PEACOCK: In Catholic art the peacock is used as the symbol of immortality. This symbolism is derived from an ancient belief that the flesh of the peacock does not decay. It is with this meaning that it appears in scenes of the Nativity. The 'hundred eyes' in the peacock's tail are sometimes used to symbolize the 'all seeing' Church. The peacock's habit of strutting and displaying the beauty of its feathers has caused it also to become a symbol of worldly pride and vanity. A peacock's feather is sometimes an attribute of St. Barbara, in reference to Heliopolis, the city of her birth.
PELICAN: According to ancient belief, the pelican, which has the greatest love of all creatures for its offspring, pierces its breast to feed
them with its own blood: It is on this basis that the pelican came to symbolize Christ's sacrifice on the Cross, because of His love for all mankind. In this sense, it also symbolizes the Eucharistic Sacrament. This interpretation is supported by Psalm 101:7: "I am become like to a pelican of the wilderness: . . . ," which is an accepted allusion to Christ. The pelican is sometimes shown nesting on the top of the Cross.
PHOENIX: The phoenix was a mythic bird of great beauty which lived in the Arabian wilderness. Its life span was said to be between three hundred and five hundred years. Periodically, it burned itself upon a funeral pyre; whereupon, it would rise from its own ashes, restored to all the freshness of youth, and would try upon another cycle of life. The phoenix was introduced into Christian symbolism as early as the first century, when the legend of this bird was related by St. Clement in his first Epistle to the Corinthians. In early Catholic art, the phoenix constantly appears on funeral stones, its particular meaning being the resurrection of the dead and the triumph of eternal life over death. The phoenix later became a symbol of the Resurrection of Christ, and commonly appears in connection with the Crucifixion. In another sense, the phoenix stands for faith and constancy. Though popular in the art of the Middle Ages, the phoenix is rare in Italian Renaissance paintings.
RAM: Symbol of Christ. Leader of the herd. Because the ram is the leader of the herd, it is used as a symbol for Christ. Also, in the same way that the ram fights with the wolf and vanquishes him, so Christ battles with Satan and is victorious. The ram, the animal God caused to be placed in a thorny bush so that Abraham might sacrifice it in place of his son Isaac, represents Christ crowned with thorns and sacrificed for mankind. In a general sense, the ram is used as symbol for strength.
RAT/MOUSE: The rat, or the mouse, because of its destructiveness, is symbolic of evil. It is rarely seen in Renaissance art except as an attribute of St. Fina. The mouse is also a symbol for St. Gertrude of Nivelles, the patron of those who fear mice.
RAVEN: According to a Jewish legend, the raven was originally white, but its feathers turned black when it failed to return to the ark, from which Noah had sent it to find out if the flood abated. Because of the blackness of its plumage, its supposed habit of devouring the eyes and the brain of the dead, and its liking spoiled flesh, the raven was selected as a symbol of the Devil, who throws the soul into darkness, invades the intelligence, and is gratified by corruption. The raven appears in a more favorable light in relation to certain Saints. It is the attribute of St. Vincent because God sent a raven to guard his sacred remains. The raven is also the attribute of St. Anthony Abbot and St. Paul the Hermit because it brought them a loaf of bread each day while they lived together in the desert. The raven, as symbolic of solitude, is associated with these hermit Saints.
SCORPION: The scorpion is one of the symbols of evil. The sting of the tail of the scorpion is poisonous and causes great agony to the person who is stung. It is often mentioned in the Bible, "And it was given unto them that they should not kill them; but that they should torment them five months: and their torment was as the torment of a scorpion when he striketh a man. " [Apocalypse 9:5]. Because of the treachery of its bite, the scorpion became a symbol of Judas. As a symbol of treachery, the scorpion appears on the flags and shields held by the soldiers who assisted at the Crucifixion of Christ.
SNAIL: The snail was believed to be born from the mud, and to feed upon it. It was, therefore, interpreted as the symbol of the sinner, and of laziness, because it made no effort to seek food, but ate what it found at hand.
SNAKE: Satan. Evil. This is because the Devil came in the form of a "serpent" or snake to Eve in the Garden of Paradise.
SPARROW: Considered to be the lowliest among all birds, the sparrow came to be used as a symbol of the lowly, the least among all people, who were, nevertheless, under the protection of God the Father; for even the sparrow came to earth only through the will of God, and received from Him its means of life. It is also a symbol of the Holy Family, who lived a humble, lowly life in obedience to the will of God.
SPIDER: The spider is used symbolically, first to represent the miser, for it bleeds the fly as the miser bleeds the poor; second, to represent the Devil, for the Devil prepares his traps as the spider, does its web; and third, to represent the malice of evil-doers whose webs will perish like those of the spider. The cobweb is a symbol of human frailty.
STAG/HART/DEER/HIND: Piety. Faithful Christian longing for God. Christ the Savior. The stag takes its symbolic significance from Psalm 41:2: "As the hart panteth after the fountains of water; so my soul panteth after thee, O God. " Thus, the stag has come to typify piety and religious aspiration. Similarly, because the stag seeks freedom and refuge in the high mountains, it has been used to symbolize the solitude and purity of life.
The stag, as the attribute of St. Eustace and St. Hubert, is shown with a crucifix between its horns. The stag without the crucifix is an attribute of St. Julian the Hospitaller. The stag or hind is also the symbol of St. Giles, one of the Fourteen Holy Helpers because every day for a considerable period of time, when the Saint was living in the forest, a hind came to him to be milked as would a cow, thus supplying the hermit Abbot with milk.
STORK: The stork is a symbol of prudence and vigilance, piety, and chastity. It was associated with the Annunciation because, as the stork announces the coming of spring, the Annunciation to Mary indicated the Advent of Christ. It is possible that the present north European and American fable which is sometimes told to children that newborn babies are carried to their mothers by storks, may be derived from the association of this bird with the Annunciation.
SWALLOW: In the Renaissance the swallow was a symbol of the Incarnation of Christ. For this reason, it appears in scenes of the Annunciation and of the Nativity, nestling under the eaves or in holes in the wall. It was thought that the swallow hibernated in the mud during the winter, and its advent in the spring was looked upon as a rebirth from the death-like state of winter. For this reason it also became a symbol of Resurrection.
UNICORN: The unicorn, according to myth, was a small animal, similar in size to a kid, but surprisingly fierce and swift with a very sharp, single horn in the center of its forehead like the rhinoceros. Supposedly no hunter could capture the animal by force, but it could be taken by means of tricking with bait, that of a pure virgin. The unicorn, sensing the purity of the maiden would run to her, lay its head in her lap, and fall asleep. Thus it was captured. For obvious reasons the mythic unicorn was early accepted as the symbol of purity in general and of feminine chastity in particular, an allegory of the Annunciation and the Incarnation of Christ, born of a Virgin. Thus, the unicorn is usually an attribute of the Virgin Mary, but also of St. Justina of Padua and of St. Justina of Antioch, who retained their purity under great temptation.
The unicorn is mentioned many times in Scripture, in truth the rhinoceros, for this term was not yet coined. One instance is Psalm 91:11: "But my horn shall be exalted like that of the unicorn: and my old age in plentiful mercy."
WHALE: According to ancient legend, the huge body of the whale was often mistaken by mariners for an island, and ships anchored to its side were dragged down to destruction by a sudden plunge of the great creature. In this way, the whale came to be used as a symbol of the Devil and of his cunning, and the whale's open mouth was often depicted to represent the open gates of Hell. The whale also appears in the Biblical account of Jonah, who was swallowed by a whale and disgorged three days later. Allegorically, the experience of Jonah is likened to Christ in the sepulchre and His Resurrection after three days. Unfamiliarity with the appearance and habits of the whale, and even with the identification of the Biblical sea-monster as such, prevented the artists of the Italian Renaissance from painting naturalistic whales. Rather, Jonah's monster was, to them, either something in the way of a dragon, a great shaggy fish, or a dolphin.
WOLF: Heresy. Gluttony. False prophets. The Devil. Yet, in sharp contrast, the wolf is sometimes used as an attribute of St. Francis of Assisi. This is based on the famous story of the wolf of Gubbio. A wolf that had been doing great damage was being hunted by the people of Gubbio, when St. Francis encountered it. He addressed it as 'Brother Wolf,' and protected it as a fellow creature who knew no better, and set about to reform it.
WOODPECKER: The woodpecker is usually symbolic of the Devil, or of heresy, which undermines human nature and leads man to damnation.
The lamb (Latin, agnus) is given as an attribute to St. Agnes, who was Martyred because she declared herself to be the bride of Christ and refused to marry. It is also found as an attribute of St. Clement, who was guided by a lamb to the spot where he found water.
LARK: The lark, because it flies high and sings only when in flight toward Heaven, has been taken as the symbol of the humility of the priesthood.
LEOPARD: The leopard is a symbol of sin, cruelty, the Devil, and the Antichrist. It sometimes appears in representations of the Adoration of the Magi to show that the Incarnation of Christ was necessary for redemption from sin.
LION: Strength. Our Lord. Courage. Fortitude. Kingliness. The lion is used in Renaissance art with various meanings, depending upon the circumstances. In general, when it is used it is emblematic of strength, majesty, courage, and fortitude. Because it once was believed that young lions are born dead, but come to life three days after birth when breathed upon by their sire, the lion has become associated with the Resurrection, and this is why it is a symbol of Christ, the Lord of Life.
The lion is one of the four animals that appear in the prophecy of Ezechiiel. He is the symbol of the Evangelist Mark because St. Mark in his Gospel dwells most fully upon the Resurrection of Christ and proclaims with great emphasis the royal dignity of Christ. The winged lion is invariably the attribute of St. Mark, and appears also as the emblem of Venice, because this city was under the protection of St. Mark. St. Jerome is also closely identified with the lion. According to tradition the Saint removed a painful thorn from the paw of a lion, who thereupon became his close and faithful friend. It was a medieval belief that the lion slept with its eyes open. For this reason, he also became a symbol of watchfulness. In rarer instances the lion, because of its pride and fierceness, was used as symbol of the Prince of Darkness, this interpretation being suported by Psalm 90:13: "Thou shalt walk upon the asp and the basilisk: and thou shalt trample under foot the lion and the dragon." This passage is interpreted as Christ triumphing over the Devil. In addition, lions appear as attributes of St. Mary of Egypt, St. Euphemia, St. Onuphrius, and St. Paul the Hermit.
OWL: The owl, since it hides in darkness and fears the light, has come to symbolize Satan, the Prince of Darkness. As Satan deceives humanity, so the owl is said to trick other birds, causing them to fall into the snares set by hunters. The owl also symbolizes solitude and, in this sense, appears in scenes of hermits at prayer. Its most ancient-thought attribute, however, is that of wisdom, and with this meaning, it is sometimes shown with St. Jerome. In another sense, the owl is an attribute of Christ, Who sacrificed Himself to save mankind, "To enlighten them that sit in darkness, and in the shadow of death: . . ." [Luke 1:79]. This explains the occasional presence of the owl in scenes of the Crucifixion.
OX: Patience. Strength. Service. Endurance. Sacrifice. The ox, a sacrificial animal of the Jews, was often used in Renaissance painting to represent the Jewish nation. It is also a symbol of patience and strength and almost invariably, the ox and the ass appear together in paintings of the Nativity. In the writings of some of the early Christian fathers, the ox is accepted as a symbol of Christ, the True Sacrifice. This symbol is similarly used to represent all who patiently bear their yoke while laboring in silence for the good of others. The winged ox is the attribute of St. Luke because of his emphasis upon the sacrificial aspects of our Lord's atonement as well as upon the Divine priesthood.
PARTRIDGE: In a good sense, the partridge is used as a symbol of the Church and of truth; but it is ordinarily symbolic of deceit and theft, and in a more general sense, of the Devil: "As the partridge hath hatched eggs which she did not lay: so is he that hath gathered riches, and not by right: in the midst of his days he shall leave them, and in his latter end he shall be a fool." [Jeremiah 17:11]
PEACOCK: In Catholic art the peacock is used as the symbol of immortality. This symbolism is derived from an ancient belief that the flesh of the peacock does not decay. It is with this meaning that it appears in scenes of the Nativity. The 'hundred eyes' in the peacock's tail are sometimes used to symbolize the 'all seeing' Church. The peacock's habit of strutting and displaying the beauty of its feathers has caused it also to become a symbol of worldly pride and vanity. A peacock's feather is sometimes an attribute of St. Barbara, in reference to Heliopolis, the city of her birth.
PELICAN: According to ancient belief, the pelican, which has the greatest love of all creatures for its offspring, pierces its breast to feed
them with its own blood: It is on this basis that the pelican came to symbolize Christ's sacrifice on the Cross, because of His love for all mankind. In this sense, it also symbolizes the Eucharistic Sacrament. This interpretation is supported by Psalm 101:7: "I am become like to a pelican of the wilderness: . . . ," which is an accepted allusion to Christ. The pelican is sometimes shown nesting on the top of the Cross.
PHOENIX: The phoenix was a mythic bird of great beauty which lived in the Arabian wilderness. Its life span was said to be between three hundred and five hundred years. Periodically, it burned itself upon a funeral pyre; whereupon, it would rise from its own ashes, restored to all the freshness of youth, and would try upon another cycle of life. The phoenix was introduced into Christian symbolism as early as the first century, when the legend of this bird was related by St. Clement in his first Epistle to the Corinthians. In early Catholic art, the phoenix constantly appears on funeral stones, its particular meaning being the resurrection of the dead and the triumph of eternal life over death. The phoenix later became a symbol of the Resurrection of Christ, and commonly appears in connection with the Crucifixion. In another sense, the phoenix stands for faith and constancy. Though popular in the art of the Middle Ages, the phoenix is rare in Italian Renaissance paintings.
RAM: Symbol of Christ. Leader of the herd. Because the ram is the leader of the herd, it is used as a symbol for Christ. Also, in the same way that the ram fights with the wolf and vanquishes him, so Christ battles with Satan and is victorious. The ram, the animal God caused to be placed in a thorny bush so that Abraham might sacrifice it in place of his son Isaac, represents Christ crowned with thorns and sacrificed for mankind. In a general sense, the ram is used as symbol for strength.
RAT/MOUSE: The rat, or the mouse, because of its destructiveness, is symbolic of evil. It is rarely seen in Renaissance art except as an attribute of St. Fina. The mouse is also a symbol for St. Gertrude of Nivelles, the patron of those who fear mice.
RAVEN: According to a Jewish legend, the raven was originally white, but its feathers turned black when it failed to return to the ark, from which Noah had sent it to find out if the flood abated. Because of the blackness of its plumage, its supposed habit of devouring the eyes and the brain of the dead, and its liking spoiled flesh, the raven was selected as a symbol of the Devil, who throws the soul into darkness, invades the intelligence, and is gratified by corruption. The raven appears in a more favorable light in relation to certain Saints. It is the attribute of St. Vincent because God sent a raven to guard his sacred remains. The raven is also the attribute of St. Anthony Abbot and St. Paul the Hermit because it brought them a loaf of bread each day while they lived together in the desert. The raven, as symbolic of solitude, is associated with these hermit Saints.
SCORPION: The scorpion is one of the symbols of evil. The sting of the tail of the scorpion is poisonous and causes great agony to the person who is stung. It is often mentioned in the Bible, "And it was given unto them that they should not kill them; but that they should torment them five months: and their torment was as the torment of a scorpion when he striketh a man. " [Apocalypse 9:5]. Because of the treachery of its bite, the scorpion became a symbol of Judas. As a symbol of treachery, the scorpion appears on the flags and shields held by the soldiers who assisted at the Crucifixion of Christ.
SNAIL: The snail was believed to be born from the mud, and to feed upon it. It was, therefore, interpreted as the symbol of the sinner, and of laziness, because it made no effort to seek food, but ate what it found at hand.
SNAKE: Satan. Evil. This is because the Devil came in the form of a "serpent" or snake to Eve in the Garden of Paradise.
SPARROW: Considered to be the lowliest among all birds, the sparrow came to be used as a symbol of the lowly, the least among all people, who were, nevertheless, under the protection of God the Father; for even the sparrow came to earth only through the will of God, and received from Him its means of life. It is also a symbol of the Holy Family, who lived a humble, lowly life in obedience to the will of God.
SPIDER: The spider is used symbolically, first to represent the miser, for it bleeds the fly as the miser bleeds the poor; second, to represent the Devil, for the Devil prepares his traps as the spider, does its web; and third, to represent the malice of evil-doers whose webs will perish like those of the spider. The cobweb is a symbol of human frailty.
STAG/HART/DEER/HIND: Piety. Faithful Christian longing for God. Christ the Savior. The stag takes its symbolic significance from Psalm 41:2: "As the hart panteth after the fountains of water; so my soul panteth after thee, O God. " Thus, the stag has come to typify piety and religious aspiration. Similarly, because the stag seeks freedom and refuge in the high mountains, it has been used to symbolize the solitude and purity of life.
The stag, as the attribute of St. Eustace and St. Hubert, is shown with a crucifix between its horns. The stag without the crucifix is an attribute of St. Julian the Hospitaller. The stag or hind is also the symbol of St. Giles, one of the Fourteen Holy Helpers because every day for a considerable period of time, when the Saint was living in the forest, a hind came to him to be milked as would a cow, thus supplying the hermit Abbot with milk.
STORK: The stork is a symbol of prudence and vigilance, piety, and chastity. It was associated with the Annunciation because, as the stork announces the coming of spring, the Annunciation to Mary indicated the Advent of Christ. It is possible that the present north European and American fable which is sometimes told to children that newborn babies are carried to their mothers by storks, may be derived from the association of this bird with the Annunciation.
SWALLOW: In the Renaissance the swallow was a symbol of the Incarnation of Christ. For this reason, it appears in scenes of the Annunciation and of the Nativity, nestling under the eaves or in holes in the wall. It was thought that the swallow hibernated in the mud during the winter, and its advent in the spring was looked upon as a rebirth from the death-like state of winter. For this reason it also became a symbol of Resurrection.
UNICORN: The unicorn, according to myth, was a small animal, similar in size to a kid, but surprisingly fierce and swift with a very sharp, single horn in the center of its forehead like the rhinoceros. Supposedly no hunter could capture the animal by force, but it could be taken by means of tricking with bait, that of a pure virgin. The unicorn, sensing the purity of the maiden would run to her, lay its head in her lap, and fall asleep. Thus it was captured. For obvious reasons the mythic unicorn was early accepted as the symbol of purity in general and of feminine chastity in particular, an allegory of the Annunciation and the Incarnation of Christ, born of a Virgin. Thus, the unicorn is usually an attribute of the Virgin Mary, but also of St. Justina of Padua and of St. Justina of Antioch, who retained their purity under great temptation.
The unicorn is mentioned many times in Scripture, in truth the rhinoceros, for this term was not yet coined. One instance is Psalm 91:11: "But my horn shall be exalted like that of the unicorn: and my old age in plentiful mercy."
WHALE: According to ancient legend, the huge body of the whale was often mistaken by mariners for an island, and ships anchored to its side were dragged down to destruction by a sudden plunge of the great creature. In this way, the whale came to be used as a symbol of the Devil and of his cunning, and the whale's open mouth was often depicted to represent the open gates of Hell. The whale also appears in the Biblical account of Jonah, who was swallowed by a whale and disgorged three days later. Allegorically, the experience of Jonah is likened to Christ in the sepulchre and His Resurrection after three days. Unfamiliarity with the appearance and habits of the whale, and even with the identification of the Biblical sea-monster as such, prevented the artists of the Italian Renaissance from painting naturalistic whales. Rather, Jonah's monster was, to them, either something in the way of a dragon, a great shaggy fish, or a dolphin.
WOLF: Heresy. Gluttony. False prophets. The Devil. Yet, in sharp contrast, the wolf is sometimes used as an attribute of St. Francis of Assisi. This is based on the famous story of the wolf of Gubbio. A wolf that had been doing great damage was being hunted by the people of Gubbio, when St. Francis encountered it. He addressed it as 'Brother Wolf,' and protected it as a fellow creature who knew no better, and set about to reform it.
WOODPECKER: The woodpecker is usually symbolic of the Devil, or of heresy, which undermines human nature and leads man to damnation.